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Life IS history in the making. Every word we say, everything we do becomes history the moment it is said or done. Life void of memories leaves nothing but emptiness. For those who might consider history boring, think again: It is who we are, what we do and why we are here. We are certainly individuals in our thoughts and deeds but we all germinated from seeds planted long, long ago.

Monday, January 12, 2015

The Amos 'n' Andy Show

This Day in Radio History: January 12, 1926

http://www.examiner.com/article/lost-the-transition-old-time-radio-listening-29-decemberOld-time radio listening: Chicago's WGN radio station welcomed a two-man comedy team to its airways when the blackface characters Sam 'n' Henry made their debut on January 12, 1926 fascinating listeners throughout the Midwest. The roles they played were two black men from the Deep South who moved to Chicago to seek their fortunes. Of course, Sam 'n' Henry are not the names by which they are best known. Two years later, after changing their names to "Amos 'n' Andy," the show became one of the most popular radio programs in American history. Its theme delegated a setting in Manhattan's historic black community of Harlem.

The creators of "Amos 'n' Andy" were white actors familiar with 'minstrel' traditions. The show written and voiced by Freeman Gosden and Charles Correll featured the comedy pair each displaying vocal versatility, presenting dialogue in different dialect while playing a number of unique characters. One must keep in mind this was radio so the faces behind the voices were not seen.

The show continued to grow in popularity running as a nightly radio serial until 1943. From there, it became a weekly situation comedy (sitcom) airing until 1955. At that time, it was changed to an early evening half-hour program, a nightly disc-jockey program, and was heard over the air from 1954 until 1960. Its final radio broadcast aired on November 25, 1960.
Amos 'n' Andy 1930
Of course, it did not end with radio. As the show progressed to television, black actors took on the overwhelming majority of roles with white characters appearing intermittently. CBS-TV ran a television adaptation from 1951 until 1953 continuing in syndicated reruns from 1954 until 1966. Apart from the dialect, the scripts were remarkably un-suggestive of the characters' color. The Gosden and Correll, Amos 'n' Andy, immense success story did not go unblemished without any opposition or controversy in film and television. In film, "audiences were curious to see what their radio favorites looked like and were expecting to see African-Americans instead of white men in blackface." [Source: en.wikipedia.org] The year 1966 saw an end to the television series not to viewed again by a nationwide audience until 2012.

Amos and Andy was one of the funniest and most beloved television and radio shows of all time. Alvin Childress (Amos), Tim Moore (Kingfish) and Spencer Williams Jr. (Andy) were three of the finest comics of all time. Who can forget hearing "Holy Mackerel Andy!," and " I'se regusted, Andy!" The raw talent and humor that they exuded touched us all, and they will always be fondly remembered. Perhaps someday the networks will end their blacklisting of this popular radio and TV show. The truth is, Amos 'N Andy was no more demeaning to African Americans than The Beverly Hillbillies was demeaning to southern whites. Source: http://www.amosandy.com/
At the peak of Amos 'n' Andy's success, 40 million listeners - a third of America at the time - tuned in six nights a week making it the longest-running and most popular radio program in broadcast history. During the later years of the radio program and into the television series, blacks were depicted in a variety of roles, including successful business owners and managers, professionals and public officials. This placed the core of the shows ahead of its time. Many later comedies realized success as a result of the earlier shows featuring working class characters (both Black and White), such as All in the Family, The Honeymooners and Sanford and Son.
"We believed that once you established your characters, if they're likable, the public will become fond of them. All you have to do to them is put them into recognizable situations. You don't have to have a laugh in every line to be funny." --Freeman Gosden
Long live comedy! 
Laughter is good for the soul!